Just Our Posters
Single, in her thirties and experiencing an extended "romantic drought" this lady decides she needs to broaden her ideas of who might make a suitable boyfriend. Once offended by her grandmother's advice to "overlook a little" - she feels desperate times call for desperate measures. Bathing and the Single Girl is a raw & irreverent comedic look at some of the pitfalls of dating men you can talk yourself into rather than waiting for one you cannot talk yourself out of.
Single, in her thirties and experiencing an extended "romantic drought" this lady decides she needs to broaden her ideas of who might make a suitable boyfriend. Once offended by her grandmother's advice to "overlook a little" - she feels desperate times call for desperate measures. Bathing and the Single Girl is a raw & irreverent comedic look at some of the pitfalls of dating men you can talk yourself into rather than waiting for one you cannot talk yourself out of.
When Father Michael chooses his dreams over his life, reality becomes a nightmare.
Lonely and disturbed Jacob Kell loved his little sister more than anything on earth. When tragedy strikes, Jacob retaliates the only way he knows how - and anyone who crosses his path will know there is no limit to his brutal vengeance.
When Father Michael chooses his dreams over his life, reality becomes a nightmare.
Greg prides himself on a family that follows tradition and stays close together: Family, turkey and football. But as daughter Andi runs home with a newly minted ex-husband in tow, he fears his Thanksgiving will be ruined.
In this nail biting thriller and emotionally charged family drama, hometown girl and writer, Tiffany Heath has set out to show Hollywood what they are missing by not taking a deeper look at life in Southeast Texas.
Greg prides himself on a family that follows tradition and stays close together: Family, turkey and football. But as daughter Andi runs home with a newly minted ex-husband in tow, he fears his Thanksgiving will be ruined.
A film by Mark Dennis and Ben Foster. A troubled musician discovers his therapist is using patients to commit vigilante crimes
Mason, Dennis, and Gabe have worked at the Stanton Family Cinemas for longer than they want to remember, but long enough they don't want to leave. Most of their time is spent messing with customers, watching fellow employees work out their relationship issues and basically just slacking off, but at a cost.
A film by Mark Dennis and Ben Foster. A troubled musician discovers his therapist is using patients to commit vigilante crimes
Internationally know as 'The Live Music Capital of the World,' Austin's music culture has led it to become one of the world's most sought-after destinations. As nearly two dozen high-rises pop up throughout the city amidst an economic downfall, how does the working musician get along? This lyrical documentary provides a telescopic view in the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their bel
Faced with poverty and a dying daughter Miguel must make life changing decisions as he attempts to do the "right" thing.
Internationally know as 'The Live Music Capital of the World,' Austin's music culture has led it to become one of the world's most sought-after destinations. As nearly two dozen high-rises pop up throughout the city amidst an economic downfall, how does the working musician get along? This lyrical documentary provides a telescopic view in the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their bel
Scott and Kara have an interesting and loving relationship that is a mixture of “best friends” and “best enemies,” a constant game of “one-up-man ship.” Scott and Kara are forced to examine themselves and their relationship when they face the possibilities of a major life changing event. They quickly realize life is Not Like The Commercials.
Scott and Kara have an interesting and loving relationship that is a mixture of “best friends” and “best enemies,” a constant game of “one-up-man ship.” Scott and Kara are forced to examine themselves and their relationship when they face the possibilities of a major life changing event. They quickly realize life is Not Like The Commercials.
When a brutal daylight massacre leaves them bound and gagged in a remote, abandoned warehouse, eight young West Texans soon realize their minutes are numbered. Dropped deep into dark corridors these captives quickly find themselves in a game of predator and prey, with a merciless killer brandishing a sledgehammer as his choice of judgment. The dilapidated structure once the address of an old Tex-Mex flea market now houses a hell especially ready to deliver these unwitting souls a horrific fate t
Mason, Dennis, and Gabe have worked at the Stanton Family Cinemas for longer than they want to remember, but long enough they don't want to leave. Most of their time is spent messing with customers, watching fellow employees work out their relationship issues and basically just slacking off, but at a cost.
When a brutal daylight massacre leaves them bound and gagged in a remote, abandoned warehouse, eight young West Texans soon realize their minutes are numbered. Dropped deep into dark corridors these captives quickly find themselves in a game of predator and prey, with a merciless killer brandishing a sledgehammer as his choice of judgment. The dilapidated structure once the address of an old Tex-Mex flea market now houses a hell especially ready to deliver these unwitting souls a horrific fate t
The mysterious pull of an old Spanish Romani art on a group of contemporary musicians in Los Angeles is the essence of the documentary KUMPANIA. “It’s incredibly beautiful,” says Bruce Bisenz of the art form. The retired Hollywood sound mixer (“Purple Rain”) and flamenco aficionado has photographed the artists for years, capturing their most poetic moments onstage. “For people who don’t know flamenco, I’m sorry for them.” Bisenz says
The mysterious pull of an old Spanish Romani art on a group of contemporary musicians in Los Angeles is the essence of the documentary KUMPANIA. “It’s incredibly beautiful,” says Bruce Bisenz of the art form. The retired Hollywood sound mixer (“Purple Rain”) and flamenco aficionado has photographed the artists for years, capturing their most poetic moments onstage. “For people who don’t know flamenco, I’m sorry for them.” Bisenz says